The position of the vanishing point has a fundamental influence on the later appearance of your lettering! The second step is to think of a vanishing point. This principle can also be applied to letters in a wonderful way.įirst you draw the word you want to represent in 3D. All the lines that go into the depth of the image will converge on the same vanishing point. With the central perspective we create a much more realistic look by working with a vanishing point. That looks really haptic, doesn’t it? Central Perspective The areas that are averse to light remain completely in shadow. All surfaces that point to the right should be painted a little brighter. To do this, imagine that a little light shines on your lettering from the side (for example from the right). If you don’t color the surface completely, but take an imaginary light source into account, you can enhance the effect even more. You can also reverse the procedure by drawing a parallel line of equal length at each corner and then connecting the ends according to the shape of the letters. Your lettering has now been given a third dimension: The depth (z-axis)! Finally, fill the area with the same color.The shape will be exactly like the shape of your lettering. Similar to the contour line and the hard drop shadows. Draw an offset version of your hand letterings behind the original lettering.To turn it into a 3D lettering, only three steps are necessary: But if we use isometry, you’ll quickly understand the principle.Įspecially with simple objects you can achieve strong 3D effects with the help of isometry.Īs always, a flat lettering serves as a basis. Instead, the lengths of individual strokes remain the same even in depth. There is no foreshortening in perspective as there would be in reality. Isometry is a simple form of three-dimensional representation. With digital lettering, the effect can be implemented much more easily with the help of a smooth blur. You can create such a shadow with a fine pencil hatching, for example. For this, the shadow must be soft and diffuse. With the difference that it should be displayed a little more realistically. In principle this shadow corresponds to the hard cast shadow. Once the lines have been drawn, you only need to complete the shape and then fill it with a dark color. You can also use the contour lines as a basis for the drop shadow, as in the 3D technique “one-sided contour”. Imagine that you color your lettering completely black and then push it aside a bit. Hard Drop ShadowĪ hard drop shadow corresponds in its shape and size exactly to the original lettering. In fact, a simple drop shadow is sufficient to emphasize a lettering. Light and shadow ensure that flat objects suddenly acquire depth. To practice the one-sided contour, I have also integrated a suitable font into the lettering generator! Drop Shadows Of course you can vary the contour as you like and play with distance and position: Only the uniformity creates a three-dimensional effect. In other words: always left, always left and down, always right and up and so on. Here it is especially important to always set the line according to the same principle. If you add a contour line to each letter with a little distance between them, your hand letterings will inevitably have some depth. Ideally you should grab a few pens and join in right now! One-sided contourĪ simple and quick way to create a haptic impression is to use a one-sided contour. In the following I will go through simple, abstracted 3D techniques with you, but also realistic perspectives. This works both in abstracted form and in harmonious combination. To create three-dimensional effects, depth or different brightness levels (light and shadow) are always required. You want to achieve a certain result but you dont want to read everything? By clicking on the picture you will get to the corresponding section.įor a holistic understanding of 3D Letterings I recommend you to read the whole article at your leisure.
0 Comments
Leave a Reply. |